An introductory presentation about Data / Set / Match, a year-long programme seeking new ways to present, visualise and...
An introductory presentation about Data / Set / Match, a year-long programme seeking new ways to present, visualise and interrogate contemporary image datasets. Departing from traditional 19th and 20th century taxonomies used to organise and store images, we will be looking at the effect that digital technology has had on these systems, and how new categorisations increasingly influence the way humans and machines see and understand the world today.
Computer scientists are highly influential, yet often unacknowledged, creators and collectors of photographic images in the 21st Century. Technologists working in the fields of machine vision and Artificial Intelligence rely on the production and annotation of massive collections of digital images to train machines to ‘see’ and understand the world. These image datasets are typically generated by scraping images off the web (e.g. Labeled Faces in The Wild), or shot by computer scientists themselves (e.g. ATT Faces).
One of the most significant datasets today is ImageNet (2009), a visual database of over 14 million images created by a team of computer scientists led by Dr Fei-Fei Li at Stanford University. A hugely expensive and ambitious undertaking, ImageNet presents an encyclopedic image of the world, where every concept (e.g. ‘cat’, ‘bank’) has been mapped against descriptive images painstakingly annotated and collected off the web. ImageNet was the result of Dr Li’s hypothesis that computer vision would ultimately rely on the quality and scale of the training data - as opposed to the optimisation of algorithms. Its creation informed the explosion of work in the field of Artificial Intelligence and machine learning utilising neural networks.
Over the course of 12 months, Data/Set/Match aims to draw attention to these datasets and explore their creation, influence and uses. At the same time, the programme will connect the image dataset to historical photographic discourses of the archive, truth and power.