Su Myat explores the role of organisations like Myanmar Witness to consider digital evidence and how activism and photography converge in a networked world.
When does the human need to leave the image? And what takes his/her place? How can one attempt to image a life severed by representation, and who has the ethical right to attempt such an aberrant, aniconic distortion?
A net-based work created entirely by algorithms that have been automatically collecting images of six surveillance cameras placed on the US/Mexico Border from 2011 until 2014.