On this page, you can filter all original works published on unthinking.photography in conjuction with all posts published on our imgexhaust Tumblr.
On this page, you can filter all original works published on unthinking.photography in conjuction with all posts published on our imgexhaust Tumblr.
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Calm Technology IMPAKT Festival 2019 Panel discussion: Calm Technology Speakers: Olia Lialina, David Benqué & Cristina Cochior....
Early Modern Computer Vision - Leonardo Impett...
There is one other aspect to Prineville that made it an ideal location for Facebook’s facility. In 1911, when railroads were...
An article from the NYT Privacy Project on the The Racist History of Facial Recognition. Starting with early scientific facial...
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It’s easy to take for granted that you can send a picture to a friend without worrying about what device, browser, or operating...
In this second excerpt of her interview with Andrew Dewdney, Joanna Zylinska talks about representation and post-photography while she reflects on archival as well as institutional practices in the age of the Anthropocene. As she mentions: "I am trying to develop sets of relations between images and practices across time, across species, across technologies, and identify certain old tropes that are returning today. I would like to think that my mode of looking, which involves placing images along those deep-historical lines, is also a way of showing why photography matters".
Maria Rosario Montero interviews Morehshin Allahyari on the occasion of the latter's commission 'She Who Sees the Unknown: Ya'Jooj Ma'Jooj' at The Photographers' Gallery Media Wall (2017). Allahyari discusses digital colonialism as a core concept in her work as well as the agency of feminist and activist practices using 3D scanning, 3D printing and storytelling.
She Who Sees the Unknown, Ya’jooj Majooj Artist Moreshin Allahyari who works with 3D scanning and printing and Iranian...