On this page, you can filter all original works published on unthinking.photography in conjuction with all posts published on our imgexhaust Tumblr.
Calm Technology IMPAKT Festival 2019 Panel discussion: Calm Technology Speakers: Olia Lialina, David Benqué & Cristina Cochior....
The trouble comes when we rely, as we increasingly do, on digital representation for most – or even all – of our knowledge about...
Clearview
“After Dark” brought people together from all over the world to experience the forbidden pleasure of sneaking around Tate...
Report from February 2020: “Only 11% of the organisations surveyed were using social media to attract younger audiences”. I...
Simon Weckert - Google Maps Hacks Performance & Installation, 2020 " 99 second hand smartphones are transported in a handcart to...
To be preoccupied with the aesthetic properties of digital imagery, as are many theorists and critics, is to evade the...
Shanzhai Lyric (@shanzhai_lyric on IG)
a_brief_history_of_the_digital_image_volume1
First as Snapshot, then as Decentralised Digital Asset
In the age of ubiquitous connectivity and seemingly limitless cloud-based storage capabilities, all photographers, whether as amateurs, artists, or professionals, face new and difficult questions regarding their work’s afterlife, which have continued to gain in importance over the last years: what becomes of digital photographs once they begin to circulate online, how can the rights of their creators be protected, and how should the constant churn of online photographs be controlled? In early 2018, Eastman Kodak Company announced that it was about to provide a solution to these difficult issues.