On this page, you can filter all original works published on unthinking.photography in conjuction with all posts published on our imgexhaust Tumblr.

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First as Snapshot, then as Decentralised Digital Asset

October 2018

In the age of ubiquitous connectivity and seemingly limitless cloud-based storage capabilities, all photographers, whether as amateurs, artists, or professionals, face new and difficult questions regarding their work’s afterlife, which have continued to gain in importance over the last years: what becomes of digital photographs once they begin to circulate online, how can the rights of their creators be protected, and how should the constant churn of online photographs be controlled? In early 2018, Eastman Kodak Company announced that it was about to provide a solution to these difficult issues.

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Cat Photographers (or the desire to see through animal eyes)

January 2018

..In recent years, thanks to inexpensive, lightweight digital cameras that can be fastened to a collar and programmed to take photographs at regular intervals, a number of ‘photographer cats’ have even attained minor-celebrity status. Two of the most famous, Cooper, an American Shorthair living in Seattle, and Nancy Bean, a three-legged puss from Devon, have held successful exhibitions of their work in art galleries and attracted significant mainstream media attention.

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Interview with Wendy McMurdo

January 2018

TPG Digital Curator Katrina Sluis interviews the pioneering artist Wendy McMurdo about the trajectory of her work since the 1990s and how debates around photography and digital culture have shifted.

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03/08/17

Quotations around automation, image making and labour. Collated by Adam Brown and Nicolas Malevé for Rethinking the workshop:...

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19/07/17

“The world’s first photo exhibition shot with a car.” Barbara Davidson in collaboration with Volvo

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25/01/17

Jeffrey Thompson, Every Possible Photograph, 2013 Though limited to eight colors at a very low resolution, the piece will take...

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Through Non-Human Eyes

November 2016

The steadiness and endurance of the camera’s gaze produces the strong sense that the camera is something other than an extension of the eye: it is a sensor, a monitor, a machine for being with and in the world.

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